Mba dissertations online

Extracts from this document. Iago In Othello - Critical Analysis Shakespeare's Iago is one of Shakespeare's most complex villains. Online. At first glance Iago's character seems to critical essay kinds, be pure evil. However, such a villain would distract from the impact of the play and online would be trite. Shakespeare to i m, add depth to his villain makes him amoral, as opposed to the typical immoral villain. Iago's entire scheme begins when the "ignorant, ill-suited" Cassio is given the position he desired. Online. Iago is where consumed with envy and plots to mba dissertations online, steal the position he feels he most justly deserves. Iago deceives, steals, and kills to gain that position. However, it is not that Iago pushes aside his conscience to commit these acts, but that he lacks conscience to begin with. Iago's amorality can be seen throughout the play and is demonstrated by his actions. For someone to i m, constantly lie and mba dissertations deceive one's wife and friends, one must be extremely evil or, in the case of Iago, amoral. In every scene in which Iago speaks one can point out his deceptive manner. Max Weber Power And Authority Essay. Iago tricks Othello into believing that his own wife is mba dissertations having an causes independence, affair, without any concrete proof. Othello is so caught up in mba dissertations Iago's lies that he refuses to believe Desdemona when she denies the whole thing. . read more. Coleridge's phrase is often taken to mean that Iago has no real motive and does evil only because he is evil. This is not far from what Coleridge meant, but he almost certainly wasn't using the word "motive" in the same way as it's now used. Power Essay. We use it to mean "an emotion, desire, physiological need, or similar impulse that acts as an incitement to action" ("Motive"). This definition equates "motive" and "impulse"; Coleridge, however, thought the two quite different. He makes this distinction in an entry he wrote for Omniana, a collection of sayings assembled by his friend Robert Southey and mba dissertations published in 1812. Here is what Coleridge wrote: It is a matter of infinite difficulty, but fortunately of comparative indifference, to determine what a man's motive may have been for this or that particular action. Rather seek to learn what his objects in general are! -- What does he habitually wish? habitually pursue? -- and thence deduce his impulses, which are commonly the true efficient causes of essay on two kinds, men's conduct; and without which the motive itself would not have become a motive. Thus Coleridge asserts that Iago's motives were spawned from his, keen sense of his intellectual superiority and his love of mba dissertations, exerting power. . read more. A "guinea-hen" is a showy bird with fine feathers or in our sense a 'cunning female'. However, after Roderigo has left, Iago tells us that Roderigo is not entitled to any self-respect, "For I mine own gain'd knowledge should profane, / If I would time expend with such a snipe. / But for my sport and profit" (1.3.384-386). A snipe is i m not scared essays a bird notorious for its flightiness and its tendency to run right into traps. Clearly, Iago considers himself vastly superior to Roderigo. Enlivened by such other significant topics as contemporary racism, the uses of verbal and psychological poison, the changing roles of women, the lust for mba dissertations online, revenge, images of foreignness, the tempest on sea and in Othello's mind, the isolation of an island universe, the reversion to writing book assignment, brutish behavior, and the ironic importance of the handkerchief, Shakespeare's play takes us on a geographic and psychological journey into the wilderness of the human heart. If we truly give ourselves over to the mystical experience of mba dissertations, theatre, we can become one with Othello-navigating through the landscape of the creative writing play, alternately seduced by good and evil-and thereby change the world we live in mba dissertations as it inevitably changes us. . read more. This student written piece of work is one of many that can be found in our GCSE Othello section. Start learning 29% faster today 150,000+ documents available Just £6.99 a month. Join over 1.2 million students every month Accelerate your learning by 29% Unlimited access from just £6.99 per month. Iago himself offers many explanations for his behaviour during the play, none of them . timing of events and it almost as if he is looking to critical essay, justify his actions. This is consistent with the Coleridge view of Iago as a motiveless malignity hunting a motive. Iago's hatred of Othello can also be seen as a consequence of his racial prejudice against the Moor. Coleridge famously describes the analysis of Iago as "the motive hunting of a motiveless . These are the mba dissertations very things that cause him great pain and he hates the fact that he is surrounded by the very thing that he sees no point in, in essays the shape of the newly-weds Othello and Desdemona, who he views as contemptible fools whom, he believes, he can manipulate for his own means. Is Othello a 'noble hero' brought down by 'a devil of motiveless malignity' or . or giving dangerous instructions (II, iii) lead to mba dissertations, the tragic ending of the play. Even at the end, Iago refuses to explain his motives, by simply saying, "What you know, you know." (V, ii). Perhaps this was Shakespeare's way of saying not to look for a reason, but rather to. Samuel Taylor Coleridge believes the character of Iago reveals 'the motive hunting of motiveless . Feminists argue that a lot of american, mainstream sociology has been focused on the concerns for men and has failed to deal with the mba dissertations online concerns of women, and the unequal position they have traditionally occupied in society. For example, the minor role of Bianca adds as a contrast towards both Desdemona and Emilia. Othello extract Analysis (3.3.435-476) After having worked himself into a rage, "he kneels" and makes the "sacred vow" to achieve his revenge. The fact that Iago joins him in creative assignment kneeling and mba dissertations makes his own vows likens this exchange to the ritual of marriage, as they both make promises to one another - there is. Othello – Samuel Taylor Coleridge. It is worth noting a quote by A.C. Bradley, which refers to motivating factors: "A boy torments a frog, not from a love of evil of writing children's book, pleasure of pain but because the pain is the online unmistakable proof of his superiority and it is assignment so with Iago". "The motive-hunting of a motiveless malignity" was Coleridge's comment on mba dissertations the Iago soliloquies. Evaluate . the Moor" in the beginning of his first soliloquy. Thus, any other motives mentioned by Iago later (he introduces elements of class-hatred, race-hatred and sexual suspicion) would be no more than embroidery of assignment, his main purpose. Mba Dissertations. And indeed it is this theory of professional revenge that is endorsed by the critic Kenneth McLeish. Explore how Shakespeare Conveys the Charcter of i m not scared, Iago. The soliloquy I am going to mba dissertations online, concentrate on is in Act 2 Scene 3. The soliloquy comes directly after Cassio has got fired for fighting with Rodrigo, which was all a part of Iago's plan. Writing Book Assignment. Iago starts by questioning how he could be called a villain but it is plainly. of student written work Annotated by. experienced teachers Ideas and feedback to. improve your own work. Marked by Teachers, The Student Room and mba dissertations online Get Revising are all trading names of The Student Room Group Ltd. TurnItIn – the anti-plagiarism experts are also used by: Want to read the rest? Sign up to view the whole essay and on two download the PDF for anytime access on your computer, tablet or smartphone. Start learning 29% faster today 150,000+ documents available Just £6.99 a month. Looking for expert help with your English work? Created by teachers, our study guides highlight the really important stuff you need to mba dissertations, know.

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Key Information Set (KIS) Data is mba dissertations online, only gathered for undergraduate full-time courses. American War Of Essays? There are a number of reasons why this course does not have KIS data associated with it. Mba Dissertations? For example, it may be a franchise course run at a partner college or a course designed for continuing professional development. Combine the critical study of English literature (from 1750 to present day) with hands-on creative writing. Work across prose, poetry, drama, script writing, writing creative non-fiction and not scared essays contemporary publishing and online tailor your studies to your literary interests and career goals. This course provides a stimulating and engaging exploration of literary works through critical study and creative practice: Theoretical and critical perspectives Literature from critical on two 1750 to the present day Exploration of a text's political, cultural and online historical contexts Prose, poetry and drama Script writing, writing creative non-fiction and contemporary publishing. There is also an opportunity for you to study abroad through the Erasmus Exchange program as part of your studies. Inês Isidro, BA (Hons) English with Creative Writing. Art lover Inês Isidro discusses how the cultural opportunities available to essay on two her in mba dissertations London and attending an Open Day encouraged her to move from her native Portugal to study at LSBU. Sarah Mahmood, alumna, BA (Hons) English with Creative Writing. Sarah Mahmood made the most of her time studying BA (Hons) English with Creative Writing at contraversial essays LSBU, and gained a full scholarship to fund her Masters degree. All modules are assessed by mba dissertations, written essays, short critical responses, reading logs, oral presentations, extended essays, exams and examples of creative writing. 82% of the course is assessed by coursework. You'll take two modules in creative writing that focus on poetry, drama and short fiction. In addition, you are offered four modules in English literature: these modules introduce you to an understanding of the academic, theoretical and creative aspects of literary criticism. First-year modules also provide a broader historical overview of essays, literature and include the study of seventeenth-century poetry, American Puritan poetry, African, American and contemporary English drama, and nineteenth and twentieth-century fiction. All modules are subject to availability. The practice of literary criticism. What are the mba dissertations online, key skills required to study English literature at undergraduate level? How are literary texts approached at undergraduate level, and what is meant by ‘literary criticism’? This first year, first semester module takes an i m essays interactive approach to online the study of literature and and authority aims to enhance your academic writing. Through a detailed study of a range of literary fiction, you develop skills in mba dissertations online critical reading and analysis, academic writing and contraversial oral presentation. The module also introduces you to the skills required to research academic sources and introduces you to all aspects of our library services, including online sites and resources. Assessment by coursework: one 1,200-word essay (40%), oral presentation (20%), and mba dissertations once 1,200-word essay (40%). Understanding poetry. This module introduces you to the key terms and techniques for developing the necessary intellectual and practical skills for critically engaging in poetic analysis. You will encounter a wide range of poetic discourses and different poetic styles, which will be situated within the cultural and historical contexts of the essays, poets and mba dissertations online the periods studied. Assessment: group presentations and a 1,500-word supporting paper (50%), and one 2-hour unseen exam (50%). Drama in i m society. Why do we go to the theatre? Or do we go at all? This module deflects the notion of theatre as a safe, elitist form of entertainment and mba dissertations online explores a range of dramatic literature with the power to affect people’s lives and act as a medium to fight oppression. The module explores a wide range of where originated from, recent dramatic literature produced across four continents that challenge dominant ideas within society. The module uses a variety of texts that reflect the different cultural contexts they sprang out of. Mba Dissertations Online? You study the contraversial, work of Wole Soyinka, Athol Fugard, Arial Dorfman, Caryl Churchill, August Wilson and Thomson Highway. We explore concepts such as postcolonial, feminist and performance theory, and the relationship between the stage and mba dissertations online political struggle. Assessment: One 1,500-word essay (50%), and one 2-hour unseen exam (50%). Creative Writing Children's Book Assignment? Narrative and mba dissertations online culture. Narratives shape our understanding of the world and the society and culture in which we live. Our opinions on important political and social issues such as human rights, equality, war, and injustice are influenced by narrative point of view. This module introduces the critical study of narrative and forms of prose narration, including non-fiction prose writing. Children's Book Assignment? Building on the core skills covered in semester one, it provides the appropriate critical skills and online vocabulary with which to analyse different forms of prose narrative, introducing a range of contraversial, texts from different historical periods, traditions, and genres. It also develops key skills in the areas of academic presentation and mba dissertations essay writing. I M Not Scared Essays? Assessment by coursework: two 1,500-word critical essays (50% each). Introduction to creative writing 1: short stories. This is an intensive, enjoyable and highly practical introductory module. Every week we read and discuss a range of published stories, from mba dissertations online classic Modernist works to contemporary flash fiction, while also exploring the technical side of storytelling through writing exercises in class and at home. By the end of the module you’ll be familiar with the building blocks of fiction, including characterisation, dialogue and story structure, and will have completed one or two stories for assessment. Max Weber And Authority? The module helps to online establish good writing habits and presentation skills, as well as developing a critical language that will be useful throughout the degree. Assessment: one or two pieces of creative short fiction, totalling 2,000-words (70%) and a reflective 1,000-word essay(30%). Introduction to creative writing 2: poetry. Following on from Introduction to creative writing 1, this intensive and highly practical module focuses on writing poetry. Every week we read and discuss a range of published modern and contemporary poems, from classic sonnets to performance poetry, while also exploring prosody and voice through writing exercises in essay class and at mba dissertations online home. By the contraversial, end of the module you’ll have experimented with classic as well as avant-garde techniques, and will have produced a portfolio of online, poems. This core module helps to establish good writing habits, creative confidence and workshop skills, where you are enabled to provide constructive feedback to each other’s creative work. Assessment: a portfolio of 6-8 original poems, word count negotiable with supervising tutor (70%); and a 1,000-word critical analysis of the portfolio (30%). You'll take one compulsory module, critical approaches to literature, and choose a further five modules from a diverse range of options. Critical approaches to literature (core module) What do we do when we analyse a text? And what does politics have to max weber power and authority do with it? Or class? Or race? Or gender? Thinking about how we think about literature is crucial to our reading, interpretation, and understanding of it. This module explores different critical approaches to textual analysis, providing an appreciation of what is at stake in the uses of theory in literary studies, as well as the intellectual tools and critical vocabulary necessary to shape sophisticated arguments. Assessment: in-class test – seen questions (30%); and a 2,000-word essay (70%). Plus one English Literature option from: Tragedy to the English Renaissance. Athens in online the fifth century BC and London in writing children's book the sixteenth century saw explosions of mba dissertations online, cultural energy and drama was the central medium for expressing the ideas thrown up by causes war of independence, it. This module explores how the dramatic form of tragedy was used both to control and subvert the people within their respective societies. Using Aristotle, Boal and Nietzche along with contemporary critics such as Nnacy Sorkin Rabinowitz and Kurt Fosso, we will unpack the dramatic texts of online, Aeschylus, Sophocles and Euripides and essay from identify the key components of tragedy and its importance in mba dissertations moulding Ancient Greek society and indeed our own. We will compare this approach with English Renaissance dramatists’ desire to subvert traditional notions of religion and the state in an effort to reveal the morally chaotic world of Jacobean England as represented in the revenge tragedy of Webster, Tourner, Middleton and Rowley. Assessment: One 2,500-word essay (50%); and one 2-hour unseen exam (50%). Eighteenth and where essay originated from nineteenth-century Realism. How can literary ‘realism’ be defined? The module begins with early theorists of the online, realist novel such as Erich Auerbach (1945) and Ian Watt (1957). In conjunction with these theorists and critics we use the work of Denis Walder, and of later feminist, postcolonial and new historicist critics and theorists including Edward Said, Elaine Showalter, Ankhi Mukherjee, Firdous Azim and Michael Sayeau in order to essay analyse a wide range of nineteenth-century realist novels. The reading list includes, among others, work by Henry Fielding, Jane Austen, Charles Dickens, George Eliot, Gustave Flaubert (in translation), E.M. Forster and Arthur Morrison. Although the module is governed by an understanding of literary realism, each novel will be analysed in relation to mba dissertations other aspects of literary style and we will make wide use of a range of theoretical and critical approaches. Assessment by coursework: two essays (50% each). Plus one Creative Writing option from: Writing for stage and screen: an introduction. Writing for stage and screen offers you an introduction to the craft of dramatic writing. Through reading play texts and screenplays, watching films and plays (including class visits to contraversial the theatre) and reading about online theory, you learn to i m not scared essays watch theatre and mba dissertations online film critically and develop your own creative practice. The course is practice-based: students support each other in not scared the process of script development. Assessment: a 15 minute play or film script laid out to industry standards (75%) due in week 12. And a 1,500-word reflective essay (25%) due in mba dissertations week 12. Truthful fabrications: Narrative non-fiction. This module introduces you to the challenge of telling stories drawn from where originated real life. We will read, analyse and mba dissertations experiment with a number of creative non-fiction forms including biography and family histories, the braided personal essay, reportage and travel writing. You learn basic research methods and explore the ethical issues that can arise when writing about essay originated from real people and events. Mba Dissertations Online? This module builds on not scared essays practical and critical skills developed in other modules and will show you how to combine storytelling techniques with direct observation and research to create vivid and mba dissertations online compelling narratives. Writing Assignment? Assessment: portfolio of online, creative non-fiction totalling 3,000 words (75%); and a 1,000-word reflective essay on children's book the research and mba dissertations online writing process (25%). Plus two English Literature options from: How do we ‘write a ‘life’? What is the relationship between representation and experience? Although the critical kinds, autobiographical genre continues to online attract a great deal of literary, critical and popular attention, as most critics agree, it is a notoriously ‘messy’, even ‘disreputable’ genre. Using a wide range of literary theorists, this module interrogates the causes of the american war of essays, practice of ‘life writing’ in order to examine the relationship between experience and mba dissertations representation. The texts chosen for this module present the autobiographical self in different guises, some closer to fictional subjects than others. Using a wide variety of autobiographical texts, representing a diverse range of social and creative writing assignment cultural contexts, we explore the ways in which writers use, extend and subvert autobiographical conventions. Assessment: one 1,000-word essay (25%); and one 3,000-word essay (75%). Literature into film. The debate on cinematic adaptations of mba dissertations, literary works has been dominated by questions of fidelity to causes of the american war of the source text. Mba Dissertations? Why do we prioritise the literary originals over their film versions? Everybody has a favourite novel that was made into a disappointing film that failed to have the richness of the written text or failed to capture the “spirit” of the original. In this module we will examine why adaptations have been seen, both by critics and audiences, as inferior to the original texts. Using a range of literary and filmic periods and genres, we will be examining notions that adaptations are subsidiary and derivative and focusing on the ways in which written and visual texts share a background in narrative theory. We will explore how novels by James M. Cain, Joseph Conrad, William Burroughs, Thomas Hardy, Michael Ondaatje and Cormac McCarthy have been adapted through the lens of American film noir , radical, experimental and metatextual adaptation, and Heritage cinema. We will learn how to apply narrative and film theory, as well as theorizing the relationship between the written and the visual. Assessment by coursework: One 3,000-word essay, (75%); and a Group Presentation (25%). Terrible beauty: Poetry and the modern arts (English literature) From Yeats’s collaboration with modern dancers, to W.H. Auden’s work with the GPO Film Unit and Adrian Henri’s collages, poets have been actively engaged with modern art practices and movements. Where Essay Originated? This module focuses on modern poetry and explores its wider connections to art, dance, photography and mba dissertations online film in the early to mid-twentieth century. You’ll be introduced to key movements – Symbolism, Cubism, Surrealism, Abstract Expressionism – and critical on two study related poetry, focusing on online aesthetics, history and cultural contexts. You’ll analyse techniques such as free verse, collage, montage and documentary, in relation to selected poems. The module includes field trips to galleries, museums and film institutes. Assessment: In-class written assessment of 1,000 words (25%); and one 3,000-word essay (75%). Plus one Creative Writing option from: Radio drama offers you an introduction to the craft of dramatic writing in the context of audio drama. By listening to radio plays and podcasts, you learn the techniques of using dialogue, sound effects and music to write a script for a 15 minute radio play. The course is practice-based, including writing exercises in contraversial every class, as well as writing workshops, where you hear your work read by actors and learn how to become script developers for each other. You also learn the basics of sound editing, enabling you to produce your own podcasts of your plays. Assessment: a 15-minute radio drama script laid out to industry standards (75%); and a reflective 1,500-word essay (25%). Mba Dissertations? Contemporary genre fiction: Theory and craft. Crafting exciting plot-driven fiction that appeals to readers and fans already familiar with a specific genre requires great skill and knowledge. Power And Authority? The best genre fiction fulfils certain expectations in terms of narrative patterns in plot, character, and setting, while also playing with or completely subverting such expectations. This module provides an introduction to mba dissertations a range of literary genres – fantasy writing, science fiction, crime, thriller, young adult fiction – and explores the characteristic conventions used, as well as the cultural and commercial contexts out of which such fiction emerges. With a firm grasp of the theory behind genre fiction, the module also encourages you to ‘read like a writer’ and critically reflect upon that reading in order to of the essays craft your own short piece of written work within a chosen genre. Online? Assessment: one 2,000-word critical essay (50%); and a 2,000-word piece of creative writing (50%). In the where essay from, third year of the degree, you study a core module and choose five further modules from a wide range of options. The optional modules include research options in the study of literature and a creative writing project in the area of contemporary publishing. Shakespeare, text and performance (core module) This module immerses you in the world of Shakespeare and the Early Modern Period. Using a wide range of his texts, we explore how his use of online, language elevated him beyond his contemporaries and gave him canonical status in contemporary society. Shakespeare’s range and development as a dramatist will be conveyed by moving from his early to late period, and by exploring examples of comedy, history and causes of the american war of independence tragedy. We will consider the work of Shakespeare in the context of the politics, religion, social conditions of his own time and ours. We will be studying the text through a lens provided by mba dissertations, distinct critical approaches to English Renaissance drama. Contraversial Essays? Emphasis will be put on the impact of performers, directors, legislators and critics on the reception and production of Shakespeare’s work at different key points; as well as examining key productions of Shakespeare’s texts on stage and on film. Online? Assessment: one 3,000-word essay (60%) and power essay one 2-hour unseen exam (40%). Plus one English Literature option from: The development of the modern city at the turn of the twentieth century was shaped by industry, innovations in transportation, and online mass migrations of people. Writing Children's Assignment? Advances in technology and mba dissertations online engineering saw the children's assignment, great modern metropolises grow and change at an alarming rate. Cities became focal points that concentrated the mba dissertations online, forces of change sweeping through the world. Creative Writing Children's Book Assignment? As centres of intellectual and cultural exchange they fermented cultural friction and chaos. Artists found that traditional forms of representation (Realism, Naturalism, Omniscient narration) were inadequate to online convey such chaotic living. The modern city seemed to demand a revolution in artistic sensibility and aesthetic expression. Essays? This revolution in mba dissertations representation came to be known as modernism. This module will explore the varied modernist responses to the city in poetry, short stories, and the novel form. Critical Essay On Two? Assessment: a 1,000-word supporting paper e.g. proposal, literature review (25%) and a 4,000-word essay (75%). Contemporary fiction. This module engages you with a consideration of how contemporary literature is valued, classified and circulated. Mba Dissertations Online? The module examines a diverse range of contemporary fiction in relation to recent theoretical debates about reading, writing and cultural production. We address the socio-economic contexts of literary production, focusing on contraversial essays issues such as online publishing, the growth of self-publishing, prizes and prizewinning. Assessment: oral presentation (25%) and online a 4,000-word essay (75%). Plus one Creative Writing option from: Contemporary publishing 1 and 2. This module enables you to develop your writing to a professional standard, understand contemporary publishing culture and learn transferable skills for future employment. By producing your own edition of a literary magazine, you will also create a public showcase for your creative and editorial work. Using the university’s state-of-the-art media labs, you’re taught to where essay from operate Wordpress, the online publishing platform for literary magazines and mba dissertations creative blogs. You research other literary magazines to find outlets for their creative work, or to creative writing apply for editorial roles. Assessment: A writer’s portfolio comprising publication ready pieces of creative non-fiction, interviews, reviews, fiction and/or poems to a total length of 4,000 words (100%) Film adaptation. From Hollywood blockbusters to art house cinema, film is increasingly powered by adaptation. This module introduces key concepts and approaches to adapting literary work for the screen. Working to an industry standard brief, you produce your own screen adaptation from source texts such as novels, memoirs and theatre plays. The module examines the issues and challenges related to the transfer of structure, plot, character and dialogue to the screen, as well as the adapted screenplay’s commercial and conceptual relationship to the literary work. The module includes a film festival field trip. Assessment: one 1,500-word treatment for a film adaptation of an existing literary work (10%), a 20-page script for the adaptation (65%), and a 2,500-word critical reflection on the process of adaptation (25%). Plus one English Literature option from: How does poetry matter in the contemporary period? This module investigates how contemporary poetry achieves meaning in online the twenty-first century. Essay? Focusing on a wide range of online, practices, including performance, conceptual, digital and documentary poetry, the module engages you in a study of the poetics and critical debates on contemporary poetry in English. Poets for essays, study typically include Susan Howe, Claudia Rankine, Kenneth Goldsmith, Maggie O’Sullivan, Tom Raworth and Nathaniel McKay. Assessment: oral presentation and a 1,500-word presentation write-up (30%); and a 3,000-word essay (70%). Contemporary black and Asian writing: the British context. Using a diverse range writing and genres, this module examines a range of texts that have reconfigured the British literary landscape and continue to challenge conceptions of ‘English literature’. We use a variety of critical texts by contemporary literary and mba dissertations cultural theorists whose work encourages new perspectives on the stylistic and socio-cultural values of literature by black and not scared essays Asian writers. You’ll study work by dramatists, including work in performance; poets and novelists such as Caryl Phillips, Hanif Kureishi, Debbie Tucker Green, Winsome Pinnock, Roy Williams, Lemn Sisay, Zadie Smith, Nadeem Aslam, Hari Kunzru, Bernardine Evaristo and Diana Evans. Assessment: one 500-word essay proposal, plus a 4,000-word essay (100%). Mba Dissertations Online? Modernism and the stage. ‘Modernist’ theatre is often traditionally regarded as Naturalism and the movements that distinguished themselves from it: Symbolism, Futurism, Expressionism. In this module we will be examining the contrasts and affinities between these key movements. Key Naturalistic dramatic texts by Ibsen, Chekhov, Strindberg and Gorky will be explored; in particular, the appropriate processes used to realise them in performance. Essays? In the second part of the module we will explore the gravitation towards the ‘Anti-Realism’ movement of the online, early twentieth century Avant-Garde, touching on Symbolism, Dada, Surrealism and Absurdism. The conventions, themes and principles of these movements will be explored in terms of their social, cultural and political concerns. Selected texts from key dramatists (Brecht and Jarry in essays particular) will be explored and their influence on performance today will be examined. Assessment: one 4,000-word essay (75%) and a 1,000-word research rationale (25%). Plus one practice-based option from: Writing for performance focuses on the craft of dramatic writing, with an emphasis on writing for mba dissertations, stage. You will develop an power original idea through to an outline, then to a completed short (15 minute) play. Online? Through reading play texts, watching plays in performance, visiting different London stages, and reading about theory, you learn to watch theatre critically and develop your own creative practice. The course is practice-based, including writing workshops and writing exercises in every class. At the end of the module you will see your work read by professional actors. Assessment: One act play of 30 minutes duration (75%); and a 2,500-word reflective essay (25%). Contemporary publishing: Literary magazine 1 and 2. This module enables you to develop your writing to a professional standard, understand contemporary publishing culture and learn transferable skills for future employment. By producing your own edition of a literary magazine, you will also create a public showcase for your creative and editorial work. Max Weber Power And Authority? Using the university’s state-of-the-art media labs, you’re taught to operate Wordpress, the online publishing platform for literary magazines and creative blogs. You research other literary magazines to find outlets for their creative work, or to apply for editorial roles. Assessment: A writer’s portfolio comprising publication ready pieces of creative non-fiction, interviews, reviews, fiction and/or poems to a total length of online, 4,000 words (100%). From? Work placement. This module offers you the opportunity to work independently to online secure your own placement in an approved sector and institution. The module creates a framework for power and authority, personal reflection on issues related to professional development, while blending critical analysis, skills development, and online application from the placement location. The practical activities, discussions and assessment mechanisms are designed to support learning, using the essays, placement experience as a vehicle for that learning. Assessment: confirmation of a successful work placement, and a 2,500-word reflective essay. Or, you can take ‘Contemporary Publishing: Literary Magazine’ as a double-credit module. Your Course Director can guide your decisions and discuss options with you for the third yer. The English Studies component of my degree was really enjoyable. The course has a tough reading list, but you get a full and historical sense of the mba dissertations online, development of English literature… I've developed new reading skills, ways of from, reading not only between the lines of a text, but between the words, the letters and between texts too. This is a thoroughly rewarding degree– I wish I could do it all over again! This course is ideal if you want to work in teaching, publishing, journalism, other media-related professions, administration, or research. It's also a useful degree for careers in business, local government and voluntary organisations, where the skills of analysis, clear communication and online reasoned persuasion are valued. At LSBU we take the future employability of our students very seriously. We think it's essential that you're prepared for the world of work, whether you're pursuing your first job, undertaking continuing professional development or taking your career down a totally different route. We also prepare you for the complexities of today's portfolio careers, combining employment with self-employment and freelance creative practice. You are supported through work placements, projects with employers, and talks and seminars with arts and media organisations. The careers team provide workshops on CVs, applications and interviews, as well as assistance with Personal Development Planning. Education and Academia: Recent students of English with Creative Writing have been accepted to study for a PGCE at a wide range of institutions, including Greenwich University, Middlesex University and the Institute of Education, London. Students have also received full or partial scholarships for postgraduate courses in English literature and related disciplines at Birkbeck College, Westminster University, Brunel University, Goldsmiths, University of where essay from, London and Kingston University. Online? Many English students pursue vocational postgraduate degrees, including law conversion courses, as well as courses in media and marketing. Past students have pursued academic careers after graduating with PhDs from Exeter University, Leicester University, UEA and Birkbeck College. Essay Originated From? Students who have chosen this route have all been successful in receiving bursaries and online other funding awards for further academic study. Past students have been accepted on to prestigious graduate training programmes with companies including Goldman Sachs. Employment in the creative industries. Employment in the creative industries continues to flourish. Where Essay From? Our graduates have an excellent track record securing jobs in the creative and cultural industries as well as collaborating in setting up flourishing companies of their own. They go on to be involved in all aspects of the sector, including content creation, production, management, education, policy and distribution. Some of mba dissertations online, our graduates are working on not scared feature dramas and in post-production for online, leading UK production companies. Our impressive graduate employment track record includes the following companies within the sector: Art Museum and Tate Not-for-profit organisations, charities and local government. LSBU is committed to supporting you develop your employability and succeed in getting a job after you have graduated. Your qualification will certainly help, but in a competitive market you also need to work on your employability, and on your career search. Our Employability Service will support you in developing your skills, finding a job, interview techniques, work experience or an internship, and will help you assess what you need to do to get the i m not scared, job you want at online the end of your course. LSBU offers a comprehensive Employability Service, with a range of initiatives to complement your studies, including: direct engagement from employers who come in to interview and talk to students Job Shop and on-campus recruitment agencies to help your job search mentoring and work shadowing schemes. Recent guest speakers have included: Bernardine Evaristo, award-winning novelist Emma Healy, award-winning author of Elizabeth is Missing Leone Ross, novelist short story writer Alexei Sayle, comedian and short story writer Sue Hubbard, poet and novelist Hugh Thompson, travel writer Nick Kent, director, Tricycle Theatre; the writers of Feast (Young Vic/Royal Court). We also regularly hold events with literary agents, publishers, and creative organisations, including: English with Creative Writing students have the opportunity to study for creative writing, a semester in Europe with the Erasmus exchange programme offered by online, London South Bank University. Critical? Students study at universities where the language of instruction is English. You’ll also have the opportunity to participate in workshops organised by the English language theatre in Berlin as part of a three day cultural visit to this dynamic city at the centre of Europe. Clare Bayley teaches modules in Creative Writing and Practices of Adaptation in the Drama Department. She is an award-winning playwright for mba dissertations, stage and contraversial radio, currently developing projects for mba dissertations, film and TV. Dr Leon Betsworth is a Lecturer in English Literature in LSBU’s School of Arts and Creative Industries. He studied for his BA at LSBU; his MA at Queen Mary, University of London; and his PhD at the University of East Anglia. Dr. Alex McSweeney is an actor, writer/director, senior lecturer and acting teacher with an extensive range of credits on stage and television. Suzanne is a Reader in Caribbean and max weber essay Post-colonial Literatures in the School of Arts and Creative Industries. She has published several essays on black British writing and mba dissertations online culture and contraversial Caribbean women's fiction. Karlien's research interests include modernist poetry and online twentieth century dance, and digital poetics in translation. Arts, music and cultural events in London. The University couldn't be better located being only a 10-15 minute walk from the Southbank Centre, National Theatre, BFI IMAX, Tate Modern, Royal Festival Hall, The Old Vic Theatre, The Young Vic and writing children's assignment therefore the best of London's plays, performances, exhibitions and screenings. The gallery is a home for visual art and mba dissertations online a unique part of the University's heritage. Opened in 2012, the contraversial, Borough Road Gallery contains valuable and significant works of Post War British Art in a public collection, produced by mba dissertations, the celebrated artist and teacher David Bomberg (1890-1957). A dedicated performance and rehearsal space with a 90-seat capacity that can be set up in numerous configurations. The main auditorium, 30-seat studio and backstage facilities are used by drama, performance and technical theatre students. Facilities are available for commercial hire. This 36 seat cinema features a 4K projector and 5.1 sound playback, and is ideal to preview production work before it goes out to the public. The Elephant Studios at LSBU Mac Lab is fitted with Quad-Core and Dual GPU MacPros, available for digital media workshops and writing children's unsupervised student work. There is extensive support for online, students, including individual tutorials with the creative assignment, Course Director or other members of the mba dissertations, teaching staff and max weber power essay Study Skills support, offered by the Student Centre.  For September 2017 entry the online, number of causes of the american independence essays, UCAS tariff points that qualifications are worth has changed.. Online? Visit UCAS for guidance on the 2017 tariff. A Level BCC or; BTEC National Diploma DMM or; Access to HE qualifications with 9 Distinctions 36 Merits or; Equivalent level 3 qualifications worth 112 UCAS points Applicants must hold 5 GCSEs A-C including Maths and English or equivalent (reformed GCSEs grade 4 or above) We welcome qualifications from around the world. Max Weber And Authority Essay? English language qualifications for international students: IELTS score of 6.0 or Cambridge Proficiency or Advanced Grade C. A Level BCC or; BTEC National Diploma DMM or; Access to HE qualifications with 9 Distinctions 36 Merits or; Equivalent level 3 qualifications worth 106 UCAS points Applicants must hold 5 GCSEs A-C including Maths and English or equivalent (reformed GCSEs grade 4 or above) We welcome qualifications from around the world. English language qualifications for international students: IELTS score of 6.0 or Cambridge Proficiency or Advanced Grade C. All Home and EU students who want to start an undergraduate course this October 2017 have until 5pm on 11 October 2017 to apply to mba dissertations online LSBU. Before applying to LSBU you need to have: all your exam results already applied with UCAS know the course you're interested in studying - complete a course search. International students (non-EU) who are not applying through UCAS for 2017 entry can complete the LSBU International Online Application Form - visit the International how to critical on two apply page. International (non Home/EU) applicants should follow our international how to online apply guide. All full-time undergraduate students apply to the Universities and Colleges Admissions Service (UCAS) using the University's Institution Code L75. Full details of how to do this are supplied on contraversial our How to apply webpage for mba dissertations, undergraduate students. All part-time students should apply directly to London South Bank University and full details of how to do this are given on our undergraduate How to apply webpage. Students should apply for accommodation at London South Bank University (LSBU) as soon as possible, once we have made an i m offer of online, a place on one of our academic courses. American Essays? Read more about mba dissertations applying for accommodation at LSBU. It's a good idea to i m think about how you'll pay university tuition and maintenance costs while you're still applying for mba dissertations, a place to study. Remember – you don't need to wait for a confirmed place on a course to where start applying for student finance. Read how to pay your fees as an undergraduate student. Fees are shown for new entrants to courses, for each individual year of a course, together with the total fee for all the years of a course. Continuing LSBU students should refer to the Finance section of our student portal, MyLSBU . Online? Queries regarding fees should be directed to the Fees and Bursary Team on: +44 (0)20 7815 6181. Current regulatory proposals suggest that institutions will be permitted to increase fee levels in line with inflation up to max weber a specified fee cap. Specifically, LSBU may be permitted to increase its fees for new and online existing Home and EU undergraduate students from 2017/18 onwards. The University reserves the right to increase its fees in line with changes to causes american independence legislation, regulation and mba dissertations any governmental guidance or decisions. The fees for international students are reviewed annually, and additionally the University reserves the right to increase tuition fees in line with inflation up to 4 per cent. We offer students considerable financial help through scholarships, bursaries, charitable funds, loans and other financial support. Many of our scholarships are given as direct tuition fee discounts and we encourage all eligible students to apply for max weber power and authority essay, our Access Bursary. New home full-time undergraduate students meeting eligibility criteria could receive a £1,000 cash bursary by joining us in the 2017/18 academic year. Find out more about all our scholarships and online fee discounts for undergraduate students. As well as being potentially eligible for our undergraduate scholarships, International students can also benefit from a range of specialist scholarships. Where Essay? Find out mba dissertations online more about essay originated International scholarships. Please check your fee status and whether you are considered a home, EU or international student for fee-paying purposes by reading the UKCISA regulations. Select a case study and read about practical project work, students' placement experiences, research projects, alumni career achievements and what it’s really like to study here from the student perspective. Inês Isidro, BA (Hons) English with Creative Writing. Art lover Inês Isidro discusses how the cultural opportunities available to her in online London and creative writing book assignment attending an Open Day encouraged her to move from her native Portugal to study at LSBU. Sarah Mahmood, alumna, BA (Hons) English with Creative Writing. Sarah Mahmood made the online, most of contraversial essays, her time studying BA (Hons) English with Creative Writing at LSBU, and gained a full scholarship to fund her Masters degree. The gallery is a home for visual art and a unique part of the University's heritage. Opened in 2012, the Borough Road Gallery contains valuable and significant works of Post War British Art in mba dissertations online a public collection, produced by the celebrated artist and teacher David Bomberg (1890-1957). We help our students prepare for university even before the semester starts. To find out i m not scared when you should apply for your LSBU accommodation or student finance read the online, How to apply tab for this course. To help you and contraversial essays your family feel confident about your university choice we run Applicant Open Days. These are held at subject level so students start getting to know each other and the academic staff who will be teaching them. These events are for mba dissertations, applicants only and originated from as an applicant you would receive an email invitation to attend the mba dissertations online, relevant event for your subject. Enrolment takes place before you start your course. On completing the process, new students formally join the University. Of The War Of Independence Essays? Enrolment consists of two stages: online, and your face-to-face enrolment meeting. The online process is an online data gathering exercise that you will complete yourself, then you will be invited to your face-to-face enrolment meeting. In September, applicants who have accepted an unconditional offer to study at LSBU will be sent details of induction, which is when they are welcomed to the University and mba dissertations online their School. Induction helps you get the best out of your university experience, and makes sure you have all the tools to succeed in your studies.